Iris Touliatou (b. 1981, Athens, Greece) works across various disciplines that are necessary for each intervention. Examining infrastructures and function, attachment and desires, the public and private, she creates forms and shared experiences that comment on labor, affective economies, states of being and respond to the conditions of artistic production and institutional frames within which it exists. Through subtle redistributions of objects, systems, economies, human relationships and production processes, maintenance and repairs, her practice contours the structures of our contemporary condition. She lives and works in Athens, Greece.

Her solo exhibitions include: Before and after science, NEON, Athens (2024); Outfits, Peer, London (2023); low theory, fluent, Santander (2023); GIFT, Kunsthalle Basel, Basel (2023); mothers, Rodeo, London and Piraeus (2022); appendage, Grazer Kunstverein, Graz (2022); Group exhibitions include: Key Operators, Kunstverein Munchen, Munich (2024); It would storm, Galerie Neu, Berlin (2024); Phenomenon, Anafi (2024); Intimate confession is a project, Blaffer Art Museum, University of Houston, Houston (2023); forms of the surrounding futures, Göteborg International Biennial for Contemporary Art, Göteborg (2023); This Current Between Us, PPC Historic Steam Electric Power Station of Neo Faliro, Piraeus (2022); SIREN (some poetics), Amant, New York (2022); Work and Leisure, Sala Impasti, Milan (2022); *ανάβασις*, Rodeo, Piraeus (2022); Soft Water Hard Stone, New Museum Triennial, New York (2021); Eclipse AB 7 Athens Biennale (2021); Anti Structure, Deste Foundation, Athens (2021); Interval, Goethe Institut, Athens (2021); The way In, Haus N, Athens (2021); The Same River Twice*, New Museum / Deste Foundation, Benaki Museum, Athens (2019).